Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
‘Emergence’ is an art piece that combines flowers photographed by me in Asia, Europe, and the US. The piece is highlighted by an intense textured background that highlights a singular flower. The basis of the background consists of 64 individual flowers combined with leafy segments of plants. Each flower-leaf combination is randomly sized, rotated, and placed on a red area. The flowered background in Emergence contains about 1500 individual flower-leaf combinations. The central flower is a beautiful Lotus flower photographed in Thailand. I have many similarly beautiful flowers that can be substituted.
I took all the photographs using an iPhone 15 Pro Max. Using Affinity Photo for editing, I resized each flower or leaf photograph to promote effective image segmentation, segmented each photograph to isolate the portrayed flower or leaf, exported the resulting photograph on a transparent background, and then combined each of the roughly 64 photographs to form the basis of the background. I follow a similar procedure for the specimen flower.
I have chosen to print the art using a substrate of Dibond, which is an aluminum composite material. The process overlays the Dibond with a silver halide print that supports 610 dpi resolution. A satin laminate covers the print for protection, and the entire assembly is placed in a slim white float frame. I have chosen a mid-gloss finish to accentuate the visual impact.
‘Emergence’ is an art piece that combines flowers photographed by me in Asia, Europe, and the US. The piece is highlighted by an intense textured background that highlights a singular flower. The basis of the background consists of 64 individual flowers combined with leafy segments of plants. Each flower-leaf combination is randomly sized, rotated, and placed on a red area. The flowered background in Emergence contains about 1500 individual flower-leaf combinations. The central flower is a beautiful Lotus flower photographed in Thailand. I have many similarly beautiful flowers that can be substituted.
I took all the photographs using an iPhone 15 Pro Max. Using Affinity Photo for editing, I resized each flower or leaf photograph to promote effective image segmentation, segmented each photograph to isolate the portrayed flower or leaf, exported the resulting photograph on a transparent background, and then combined each of the roughly 64 photographs to form the basis of the background. I follow a similar procedure for the specimen flower.
I have chosen to print the art using a substrate of Dibond, which is an aluminum composite material. The process overlays the Dibond with a silver halide print that supports 610 dpi resolution. A satin laminate covers the print for protection, and the entire assembly is placed in a slim white float frame. I have chosen a mid-gloss finish to accentuate the visual impact.